Showing posts with label Woman's History Month. Show all posts
Showing posts with label Woman's History Month. Show all posts

Wednesday, March 25, 2015

The Final Obstacle Is Us




Almost every night during book tour, I end up talking about the same subject with my audience. My audiences are pretty much entirely composed of women (though I love you, too, my emotionally-secure male who dare to come to my events!) and invariably there will be a woman in the crowd who will stand up and ask how to get courage to … well, whatever. Courage to write her book, courage to change her life, courage to travel alone, courage to endure her sorrows, courage to leave her toxic relationship, courage to start her own business, courage to stand up for herself.

Now Is the Time for Women
I always begin my response by saying something along these lines—that it is down to us now. There has never been a better moment in human history than right now to be a woman. While there are still huge stretches of earth where the lot of womankind remains trapped in subjugation, the industrialized modern western world is the best environment women have ever had—the best and only shot we ever got at full personhood.
The life that I was offered, in comparison to the lives of my great-grandmothers, is so radically different that I might as well be a new human species altogether. I am a female with biological, political, financial and emotional autonomy. Such a thing was never heard of before. Ever.
Could things still be better for women? Yes, of course, and I fight for that, as we all must. Do we have perfect parity yet? Maybe in Sweden, but certainly not everywhere. Is there still discrimination and stupidity? Sure. Will there always be? Probably. But the fact remains—nobody in the history of womankind ever had a better chance to manifest his or her own life than us, right now.

The Internal Obstacle
Many of the big external obstacles (political, legislative, cultural) have been cleared for us by the great and brave women who came before us. We stand on their shoulders and we should be grateful.
But now we are left to battle the lingering prejudices in our own minds that convince us we are not worthy—not good enough, not strong enough, not talented enough, not brave enough. We must battle the residual interior voice that says things like:
  • We are not important
  • We shouldn't raise our hand
  • We shouldn't ask to lead the project
  • We shouldn't run for office
  • We don't deserve a promotion
  • We can't set boundaries
  • We can't have a child alone
  • We can't support ourselves
  • We can't defend our vocations
  • We can't apply for that grant or that graduate program
  • We can’t define our own spiritual and emotional lives
  • We shouldn't speak up and say, "No, let's do it my way."
We must battle the interior prejudice that says we aren't perfect yet, in other words, and therefore we must hold ourselves back.
And while it's understandable that about a billion years of being beat down would keep a woman believing she is imperfect, we really have to get past that obstacle in ourselves. Because I've said it before and I'll say it again: Imperfection never stopped men from putting themselves forward. SO DON'T LET IT STOP YOU. (I don’t say that as an insult to men, either; I like that they throw themselves into the arena of life. I want us to do it, too.)
Get out of your own way, women. It's time. And nobody can do this part for you. No act of Congress (no social or political legislation) can get you out of your own way. Gloria Steinem can't get you out of your own way, and neither can Oprah, Brené Brown, Martha Beck, Hilary Clinton, your uncle's dog, your mother's cat, or me.
Don't wait to be rescued or discovered by anyone, and for heaven's sake, don't wait to be given permission from the principal's office to take full ownership of your own destiny. You’ve got to do it yourself.
Step forward out of your own lingering residual sense of smallness, take up every inch of life that is your blessed inheritance, and start doing your thing. Today.
It's down to us now—down to you. And there’s never been a better moment than right now.
Let’s get on it.

Thursday, March 28, 2013

Women's History Month - Maria Tallchief

Maria Tallchief

Elizabeth Maria Tallchief (born January 24, 1925) was the first Native American to become prima ballerina. From 1942 to 1947 she danced with the Ballet Russe de Monte Carlo, but she is even better known for her time with the New York City Ballet, from its founding in 1947 through 1965. Known professionally as Maria Tallchief, her family called her Betty Marie. Betty learned the Osage traditions from her grandmother, Eliza Bigheart Tallchief. Maria is the sister of notable ballerina Marjorie Tallchief.

Of her childhood she wrote, "I was a good student and fit in at Sacred Heart (Catholic school). But in many ways, I was a typical Indian girl — shy, docile, introverted. I loved being outdoors and spent most of my time wandering around my big front yard, where there was an old swing and a garden. I'd also ramble around the grounds of our summer cottage hunting for arrowheads in the grass. Finding one made me shiver with excitement. Mostly, I longed to be in the pasture, running around where the horses were...".

Madame Nijinska's philosophy of discipline made sense to Tallchief. "When you sleep, sleep like a ballerina. Even on the street waiting for the bus, stand like ballerina".


Tallchief left Los Angeles at the age of 17 and auditioned in New York City. She joined the Ballets Russes and quickly became a featured soloist. After a tour in Canada during 1942, the company asked her to change her name to Maria Tallchieva. She declined to change her Osage name, but agreed to be called Maria Tallchief.

She was the first prima ballerina of the New York City Ballet from 1947 to 1960. Her performance of Balanchine's The Firebird in 1949 and their earlier collaboration at the Paris Opera elevated Maria Tallchief onto the world stage. She also originated the role of the Sugarplum Fairy in Balanchine's version of The Nutcracker, in 1954.

Tallchief continued to dance with the New York City Ballet and with other groups until her retirement in 1965. She was director of the Chicago Lyric Opera Ballet from 1973 to 1979. With her sister Marjorie, she founded the Chicago City Ballet in 1981 and served as its artistic director until 1987. From 1990 to present she has been artistic advisor to Von Heidecke’s Chicago Festival Ballet. (source)